what are you doing here?

[small_magics]

Isibel has never seen an odder collection of fauna. She has not traveled extensively, but she is sure that creatures of this size - lizards as heavy as ten elves together, beavers eight and nine feet long, turtles with shells the size of small houses - are not customary. Yet the island is riddled with them.

The creatures have no particular fear of elves, but nor do they seek them, and none of her party have been attacked; she feels safe enough traveling through the forest on her own, stepping lightly, looking for the sweep of the treeline and any springs that might be useful for settlers if elves settle here. Besides, she is a student of the small magics, some of which may be cast quite rapidly if there is need; she could frighten away an animal that took too much interest in her. The ribbons tied around each of her knees and ankles (blending seamlessly with the rest of her travel outfit) are some of her finest small magic, guiding her steps so that she may place her feet as elves ought to be able to and bring no embarrassment to her House. They don't make her truly graceful, but she can walk, and care will do the rest.

She's deep into the forested part of the Unknown Island when she starts finding statues. Old statues. The trees have grown up around them, it looks like, they've been here that long; they're worn and weathered and have lichen growing on them.

And they're all of unicorns.

The oldest sculptures are none too skillful, but as she proceeds inward towards the center of the island, they become newer and better and it's plain to see that they're not of unicorns, but a unicorn. A unicorn with a broken horn; this is not, it soon becomes apparent, random damage to early statues. Someone has carved a specific unicorn, dozens - hundreds? thousands? - of times. And the art has been made with such intense love, and the newest of the statues are so delicately done that they look almost like real unicorns, with all the magic that implies, though they hold still and are on closer inspection all still carved from stone.

Someone loved this unicorn, and lived on this island, and made a thousand statues of her, and now the place is inhabited only by giant animals that certainly could have done no such thing. Isibel wonders what happened to the sculptor. To the unicorn, too.

On she walks.

Comments

[endragoned]

They come upon the statue quickly enough.

He closes his eyes and hugs it around the neck, furling his wings.

[small_magics]

It's not a real unicorn, it's a statue - he is not the Legendary Vestakia, proving his spiritual purity by demonstrating himself fit unicorn-company. It's a compelling display nevertheless.

But Isibel has no idea what's next.

[endragoned]

He kisses the statue's neck and steps back, then holds his left hand against the statue's horn for a moment.

The horn lines up perfectly with a thick, shiny burn scar across his palm.

The Legendary Vestakia was not burned by the touch of a unicorn's horn.

[small_magics]

Isibel bites her lip.

Not like Vestakia, then.

She takes a step back.

"I don't understand," she murmurs.

(Her mother considers it a rude borderline-questioning habit on her part to say I don't understand when she wants more explanation than she's freely given, but Isibel is young yet, and it was not so long ago that she was a child, free of all such constraints. Perhaps she'll learn to more cordially weigh curiosity against manners later in her life. In this case it hardly matters. He cannot understand her.)

[endragoned]

He strokes his fingertips down the broken stone horn.

Then he starts telling a story.

He speaks the whole time, but with the language barrier, the only words that come through are an occasional 'Tialle' or 'unicorn', neither of which is present in the introduction; he seems to understand as much, and supplements the largely incomprehensible narrative with extensive gesturing.

First he points off into the distance and makes a repeated throwing-like gesture: far, far away. Then he sketches the shape of a mountain range in the air, and spreads his hands slowly under it, then brings them fluttering back together. Far, far away in a lot of caves under some mountains.

He points at himself, touches his horns, his wings, brings his tail curling forward around his legs, then makes gestures to indicate a repeated series of similar things. His expressive hands then tuck the series-of-similar-things into the space under the previously established mountains, of which he reminds her with another quick trace of their skyline. Many demons living in a lot of caves under some mountains.

Here he pauses and looks at her, as though to gauge her comprehension, or maybe her willingness to listen.

[small_magics]

Well, listening here is clearly immaterial; she'd be getting about as much out of the recitation if she were stone deaf. But she is willing to watch and interpret.

[endragoned]

He nods, satisfied, and continues.

A pushing-apart gesture, one hand pressing in toward his chest and the other sweeping outward through the airspace nominally occupied by the caverns, indicates a separation between him and the others. He pauses again, considering, and then shrugs and shakes his head; perhaps the details of this separation are not something he feels he can get across in mime.

Its results, however, are.

He traces a circle around his neck, two more around each wrist, draws lines through the air from each of these: chains. In a few quick gestures he bundles up the imaginary chains and shoves them into the depths of the imaginary mountain, drawing a long twisting pathway in the air-representing-stone to indicate the remoteness of the place where he was kept. His hands clap together firmly around his prison and squeeze, sealing his imaginary self inside.

Then he takes a half-step back and opens his hands. This chapter of the story is over.

He folds his wings tightly, tucks his tail against one leg, scrubs his hands through his hair until it hides the short arcs of his horns: he is playing the part of someone without any of these things. Someone shorter, too, or perhaps the way he hunches is meant to denote furtive concealment. His hands sketch a coil of rope in the air, knot it into a noose, and then fling it over the statue's neck and pull it tight. Another bundling-up gesture, and Tialle is tucked into the depths of the mountain.

[small_magics]

Isibel has certainly heard that the Endarkened were not much kinder to each other than to others, and has no trouble swallowing the notion that one could have been imprisoned by his fellows. Nor does she disbelieve that they'd have captured a unicorn.

[endragoned]

He relaxes his wings and tail, draws the chains around his neck and wrists again, draws another chain around Tialle's neck (with an apologetic kiss to the statue's muzzle that is probably not part of the story), and bundles the both of them into the same remote underground cell. Then, seemingly as an afterthought, he closes his hand around the air beyond Tialle's broken horn and makes a snapping-off motion.

So: himself and Tialle, imprisoned together, her horn being broken either before she got there or just as she arrived. At first he cowers away from her, and (he indicates with more mime around the statue) she from him. Then they come closer together. Closer.

He lays his hand slowly, deliberately, against her horn. A hiss and an artful shudder remind Isibel that this would have hurt quite a lot.

Moving quickly, he breaks the imaginary chains around each of their necks, then the ones around his wrists. Creative mime, with some limping and fluttering, indicates that he was too weak or injured to stand; he crawled to the door of their prison and broke it open with only a little more difficulty than he had with the chains.

And then, apparently, Tialle stood still with some reluctance while he hauled himself onto her back, and he guided the pair of them all the way through the tunnels and up to the surface, and they proceeded in this way across a considerable distance before they finally parted ways. (A hand clawing illustratively down the scarred membrane of his wing indicates why he did not just fly away at that point.)

[small_magics]

Isibel does not quite get the connection between touching Tialle's horn and being able to escape, but that she was helpful, that she gets. She nods slowly.

[endragoned]

He shrugs, his wings rippling with the movement, and steps away from the statue. Touches his fingertips to his chest. Reaches out toward Tialle. Shakes his head. Drops his hand.

They never saw each other again.

[small_magics]

Isibel gestures generally at the forest around them, the island.

(It's not a question if she doesn't actually say anything. She thinks.)

[endragoned]

He smiles, looks down, rubs a hand over his face, shakes his head, shrugs helplessly. If there's a story there, he doesn't feel up to telling it.

[small_magics]

Perhaps this would be easier with paper and pencil?

She has those. She's started a fresh book recently; there's nothing sensitive in what she hands him even if he's deceiving her about not knowing the language.

[endragoned]

The pencil seems to puzzle him.

He peers at it, rubs his thumb over the point, sniffs it, and only then deigns to make marks on a page.

An extremely crude map of a continent she should be familiar with. The shape is vague and partly wrong, but he gets most of the mountains right, and he draws Shadow Mountain up in the far north where it should be. From there, the point of the pencil wanders down over the continent in a meandering pathway. He mimes people, then himself hiding from them. This, apparently, was his primary method of navigation: flee from anyone who walks upright.

After some time spent doing this, he ended up deep in a forest (indicated by gesturing around them and patting a tree, then pointing at the map).

He turns the page.

He draws a dragon, crude but unmistakable.

He touches his face, the pad of his thumb just under one eye and his first two fingers just under the other; he brings that hand down to touch the dragon; he makes a circling gesture, then brings it back up to touch under his eyes again.

Then he stretches his wings, and draws the dragon in flight with a winged bipedal figure beside it, and turns back to the map and drags the pencil right off the edge of the continent and over the ocean and around the edge of the page to pass under the flying figures and end in a small blob shaped more or less like this island.

[small_magics]

Isibel blinks at the dragon drawing. She thought that all the known dragons were those living in the Elven Lands, most bonded to one Elf and one Wildmage or occasionally a High Mage. Not that the Dragonbonded have any strong attachment to any location, with the ability to travel so far, so fast, but they do regularly stop in the Elven Lands and maintain residences there.

(Isibel thought long, long and hard before deciding not to present herself to any of the young unbonded dragons, or any of the old dragons with old bondmates. The trouble is - whatever power they offer, however much she'd like to wield it - the dragons read their bondmates' minds. She has met dragons, but only dragons who are not due for a handoff anytime in the near future, and keeps her distance from the others.)

But apparently there is another. And if the dragon is not Bonded, of course he's immortal -

No. That's not the only way.

If the dragon is bonded to something immortal -

Her eyes fly open as she realizes that this dragon may not just be this Endarkened's friend, but his bondmate. Could that be what he meant? It's never happened before that she knows - there have been dragons fighting on the side of demons, but only at the command of Tainted bondmates -

If this Endarkened is actually bonded to his dragon then he's some kind of mage, and he's got an unlimited wellspring of power.

And he's chosen to live on an island with his dragon completely alone fondly sculpting Tialle for at least the last two thousand years.

Isibel does not understand.

[endragoned]

The (potential) Dragonbond Endarkened watches her curiously.

Then he hands her back her notebook and pencil.

[small_magics]

She purses her lips, and draws a little stylized dragon - she is not an artist, but because she knows this, she draws as simply as she must to achieve a reasonable result. And she draws a little stylized demon next to it. And then she draws a line between them.

[endragoned]

The (apparent) Dragonbond Endarkened smiles wryly, and nods.

[small_magics]

Isibel processes this.

She taps the dragon-doodle with her pencil, and then mimes looking around.

[endragoned]

He smiles, and closes his eyes and furls his wings and hugs his arms against himself and nestles his head on his shoulder.

The dragon is sleeping, apparently.

[small_magics]

Isibel nods.

...And then she draws a stylized little elf.

And then another and then another and then a lot of dots. (This number of dots does not represent the size of her expedition.)

She circles them, then turns back to the map and taps the island.

[endragoned]

He throws up his hands, gestures to himself, touches wings, horns, the dots on the page, tips his head to one side and looks at her challengingly.

[small_magics]

She flings up her hands and looks away, biting her lip; she doesn't know what to do. Most people would have killed him on sight.

[endragoned]

He sighs.