Isibel ✧ "Sarion" (
small_magics) wrote2013-04-08 02:36 pm
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what are you doing here?
Isibel has never seen an odder collection of fauna. She has not traveled extensively, but she is sure that creatures of this size - lizards as heavy as ten elves together, beavers eight and nine feet long, turtles with shells the size of small houses - are not customary. Yet the island is riddled with them.
The creatures have no particular fear of elves, but nor do they seek them, and none of her party have been attacked; she feels safe enough traveling through the forest on her own, stepping lightly, looking for the sweep of the treeline and any springs that might be useful for settlers if elves settle here. Besides, she is a student of the small magics, some of which may be cast quite rapidly if there is need; she could frighten away an animal that took too much interest in her. The ribbons tied around each of her knees and ankles (blending seamlessly with the rest of her travel outfit) are some of her finest small magic, guiding her steps so that she may place her feet as elves ought to be able to and bring no embarrassment to her House. They don't make her truly graceful, but she can walk, and care will do the rest.
She's deep into the forested part of the Unknown Island when she starts finding statues. Old statues. The trees have grown up around them, it looks like, they've been here that long; they're worn and weathered and have lichen growing on them.
And they're all of unicorns.
The oldest sculptures are none too skillful, but as she proceeds inward towards the center of the island, they become newer and better and it's plain to see that they're not of unicorns, but a unicorn. A unicorn with a broken horn; this is not, it soon becomes apparent, random damage to early statues. Someone has carved a specific unicorn, dozens - hundreds? thousands? - of times. And the art has been made with such intense love, and the newest of the statues are so delicately done that they look almost like real unicorns, with all the magic that implies, though they hold still and are on closer inspection all still carved from stone.
Someone loved this unicorn, and lived on this island, and made a thousand statues of her, and now the place is inhabited only by giant animals that certainly could have done no such thing. Isibel wonders what happened to the sculptor. To the unicorn, too.
On she walks.
The creatures have no particular fear of elves, but nor do they seek them, and none of her party have been attacked; she feels safe enough traveling through the forest on her own, stepping lightly, looking for the sweep of the treeline and any springs that might be useful for settlers if elves settle here. Besides, she is a student of the small magics, some of which may be cast quite rapidly if there is need; she could frighten away an animal that took too much interest in her. The ribbons tied around each of her knees and ankles (blending seamlessly with the rest of her travel outfit) are some of her finest small magic, guiding her steps so that she may place her feet as elves ought to be able to and bring no embarrassment to her House. They don't make her truly graceful, but she can walk, and care will do the rest.
She's deep into the forested part of the Unknown Island when she starts finding statues. Old statues. The trees have grown up around them, it looks like, they've been here that long; they're worn and weathered and have lichen growing on them.
And they're all of unicorns.
The oldest sculptures are none too skillful, but as she proceeds inward towards the center of the island, they become newer and better and it's plain to see that they're not of unicorns, but a unicorn. A unicorn with a broken horn; this is not, it soon becomes apparent, random damage to early statues. Someone has carved a specific unicorn, dozens - hundreds? thousands? - of times. And the art has been made with such intense love, and the newest of the statues are so delicately done that they look almost like real unicorns, with all the magic that implies, though they hold still and are on closer inspection all still carved from stone.
Someone loved this unicorn, and lived on this island, and made a thousand statues of her, and now the place is inhabited only by giant animals that certainly could have done no such thing. Isibel wonders what happened to the sculptor. To the unicorn, too.
On she walks.
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She taps the dragon-doodle with her pencil, and then mimes looking around.
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The dragon is sleeping, apparently.
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...And then she draws a stylized little elf.
And then another and then another and then a lot of dots. (This number of dots does not represent the size of her expedition.)
She circles them, then turns back to the map and taps the island.
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She taps the paper with her pencil, thinking; this demon is not the Legendary Vestakia, but there is some precedent for red-skinned demonic-looking entities living peacefully among elves.
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Touches the Vestakia figure. Touches the unicorn's head in her lap. Touches the burn on his hand.
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He nods, but hesitantly.
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He touches his dragon on the page; touches himself; brings his hands together in front of him and makes a wide sweeping palm-down gesture to either side, like a vast emptiness. This dragon has never met anyone else.
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He taps the picture of an elf with a dragon.
He points to Isibel.
He points off into the distance, past the pond.
He looks at her expectantly.
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As he walks, he starts talking again; it's not clear whether he's addressing Isibel or himself, but the distinction isn't all that relevant.
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Eventually, they come upon a cave.
He ducks inside.
When he emerges a few moments later, he is followed by a smallish dragon with indigo scales and bright green eyes.
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"Isibel," says the demon. (Something something) "Isibel."
"Isibel," the dragon repeats, edging a little farther out of the cave and arching his neck to study her from closer range.
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